28 Ocak 2014 Salı

U-CHEF

January 2014
3rd class / 5th term
Transmorp-h Studio | Ozan Önder Özener

   When examining Dolapdere’s complicated culture, inefficacy to act a part in Istanbul clearly appears. In history of Dolapdere, there are so many migration of societies. They all could no prove themselves to Istanbul, since they  don’t have sufficent opportunity. For example, although most regions of Istanbul have over 20 bus lines, Dolapdere has only 2 which are already work until 6 pm. For this reason, most of workers from Dolapdere do not use transportation vehicle. Normally for such a situation, the best proposal should be education. But there is no base to educate directly in Dolapdere. To improve the quality of people, production is the best way. U-CHEF gets the food sources of Dolapdere, then makes a transportation network and distrubute foods to Istanbul. Also shows potential of Dolapdere’s people to Istanbul. U-CHEF also has food & beverage units for feedback people used urban kitchen of U-CHEF and want to see in own place. The marketplace is also meeting point of public and Dolapdere’s raw materials. Typical marketplaces have a structure on their top not only in Turkey, but also all over the world.  U-CHEF’s structure is the main building which is located on top of the marketplace. 
   The vehicle approach and the public approach stay in different places. Because people coming to marketplace should isolate from vehicles and employees. Marketplace is under  the construction  but if the poeple do not want to join in marketplace, they use other public recreation sites.
   This diagrams explain that how U-CHEF network works. First of all 3 spesific raw material fields feed U-CHEF. These foods are processed by professional kitchen of U-CHEF. However, they also sell in marketplace in certain days. Next step, distributed meals by urban kitchen of U-CHEF represent Dolapdere. The people of Istanbul are acquainted with Dolapdere's skills and feedback to Dolapdere. 
   












25 Aralık 2013 Çarşamba

.CO

December 2013
3rd class / 5th term
Koçtaş Ürünleri İç Mekan Tasarımı Öğrenci Yarışması 2013

Teşvik Ödülü / Encouragement Award

with Başak Bilge Akçaoğlu 






9 Kasım 2013 Cumartesi

BANT

December 2013
3rd class / 5th term
TEDx ITU Competition Presentation
http://tedxitu.com/designcompetition/

Eşdeğer 1.lik ödülü / Equal 1st prize

with Erenalp Saltık and Meriç Arslanoğlu











3 Kasım 2013 Pazar

Assistant structure : Laser

December 2013
3rd class / 5th term
Softspace / Atölye: Hafif Mekan
Yürütücüler: Alper Derinboğaz, Ömer Kanıpak, Salih Küçüktuna
http://www.saltonline.org/tr/656/atolye-hafif-mekan

with Başak Bilge Akçaoğlu, Gözde Çelebi, Dilşad Aladağ





31 Ekim 2013 Perşembe

Mimed 13'

October 2013
3rd class / 5th term
Mimed 2013 Presentation

Jüri Özel Ödülü / Jury's Special Award



Info-dd

October 2013
3rd class / 5th term
Dolapdere Analyses

with Başak Bilge Akçaoğlu, Gözde Çelebi, Ege Tekkökoğlu, Daphne Vallianatou







W2

September2013
3rd class / 5th term
E/MOTION/STOP Competition
Transition / Transection / Transportation //: Public Space and Other Stories
http://emotionstop.tumblr.com/

1st prize / 1.lik ödülü

with the audio render



* A sound-free zone as proposed by Mete Cem Arabacı has the quality of a true intervention on space as it provides a perception never existed before. We as urban pedestrians come close to this experience on our daily routine as we move around in our tuned isolations boxed in various music humming devices. However, these musical routes we take are strongly designed by our tastes and are highly manipulated with our momentary moods. Cem's offer is a surprising but relaxing encounter, especially when performed as total silence. To me, it performs fully as an "emotionstop" where your habitual emotions would be suddenly vacuumed into a new perspective in which your senses of sight and smell would be heightened to a great degree. What is more, the experience, first taking off as a surprise, has the potential to build itself into a desire. The questions on the quality and reality of the project's implementation remain to be responded by the architect.  Meriç Öner