3rd class / 5th term
Mimed 2013 Presentation
Jüri Özel Ödülü / Jury's Special Award
31 Ekim 2013 Perşembe
Mimed 13'
October 2013
3rd class / 5th term
Mimed 2013 Presentation
Jüri Özel Ödülü / Jury's Special Award
3rd class / 5th term
Mimed 2013 Presentation
Jüri Özel Ödülü / Jury's Special Award
Info-dd
October 2013
3rd class / 5th term
Dolapdere Analyses
with Başak Bilge Akçaoğlu, Gözde Çelebi, Ege Tekkökoğlu, Daphne Vallianatou
3rd class / 5th term
Dolapdere Analyses
with Başak Bilge Akçaoğlu, Gözde Çelebi, Ege Tekkökoğlu, Daphne Vallianatou
W2
September2013
3rd class / 5th term
E/MOTION/STOP Competition
Transition / Transection / Transportation //: Public Space and Other Stories
http://emotionstop.tumblr.com/
1st prize / 1.lik ödülü
with the audio render
* A sound-free zone as proposed by Mete Cem Arabacı has the quality of a true intervention on space as it provides a perception never existed before. We as urban pedestrians come close to this experience on our daily routine as we move around in our tuned isolations boxed in various music humming devices. However, these musical routes we take are strongly designed by our tastes and are highly manipulated with our momentary moods. Cem's offer is a surprising but relaxing encounter, especially when performed as total silence. To me, it performs fully as an "emotionstop" where your habitual emotions would be suddenly vacuumed into a new perspective in which your senses of sight and smell would be heightened to a great degree. What is more, the experience, first taking off as a surprise, has the potential to build itself into a desire. The questions on the quality and reality of the project's implementation remain to be responded by the architect. Meriç Öner
3rd class / 5th term
E/MOTION/STOP Competition
Transition / Transection / Transportation //: Public Space and Other Stories
http://emotionstop.tumblr.com/
1st prize / 1.lik ödülü
with the audio render
* A sound-free zone as proposed by Mete Cem Arabacı has the quality of a true intervention on space as it provides a perception never existed before. We as urban pedestrians come close to this experience on our daily routine as we move around in our tuned isolations boxed in various music humming devices. However, these musical routes we take are strongly designed by our tastes and are highly manipulated with our momentary moods. Cem's offer is a surprising but relaxing encounter, especially when performed as total silence. To me, it performs fully as an "emotionstop" where your habitual emotions would be suddenly vacuumed into a new perspective in which your senses of sight and smell would be heightened to a great degree. What is more, the experience, first taking off as a surprise, has the potential to build itself into a desire. The questions on the quality and reality of the project's implementation remain to be responded by the architect. Meriç Öner
tvmpy []
August 2013
TAK Kıyı-Köşe Tasarım Yarışması
3rd Prize / 3.lük ödülü
Moda Burnu | Kadıköy
http://www.kadikoytasarim.org/2013/09/03/kiyi-kose-oylama-sonuclari-belirlendi/
with Tanju Coşkun
TAK Kıyı-Köşe Tasarım Yarışması
3rd Prize / 3.lük ödülü
Moda Burnu | Kadıköy
http://www.kadikoytasarim.org/2013/09/03/kiyi-kose-oylama-sonuclari-belirlendi/
with Tanju Coşkun
Origami Pavillion
August 2012
Summer workshop of IFAC in Spain
An origami pavillion with tutor Gabriel Wünster
Summer workshop of IFAC in Spain
An origami pavillion with tutor Gabriel Wünster
Parallax - Chromatic Space (Renk Saati)
November 2012
2nd class / 3rd term
A suggestion to the chapter "Chromatic Space" from Steven Holl's book "Parallax"
Steven Holl'ün kitabı Parallax'ın Chromatic Space bölümüne bir öneri
with Başak Bilge Akçaoğlu
2nd class / 3rd term
A suggestion to the chapter "Chromatic Space" from Steven Holl's book "Parallax"
Steven Holl'ün kitabı Parallax'ın Chromatic Space bölümüne bir öneri
with Başak Bilge Akçaoğlu
Kasımpaşa Studies
October 2012
2nd class / 3rd term
Refik Saydam avenue analyses
with Başak Bilge Akçaoğlu
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